

ISSUE VI
Michael Salcman
PACKING IT UP—for artist Alice Aycock
We’re in Dallas when word comes of a cyclonic storm
scheduled to move up the East coast this evening
and have to get out of Dodge so to speak ASAP—
first cancelling tomorrow’s late flight, packing this morning
calling a car service in Baltimore for our change in plans
having said goodbye to our artist friends last night
at the museum party for the Groundswell Land Art show
when we were young together in the last century’s Seventies.
​
My wife packs my diapers in three different suitcases
with copies of the museum catalog in two of them;
her make-up kit, our dirty socks and my heating pad go in
a small roller hoping not to get knocked around too early
by headwinds. We’ve checked by phone with the dock master
for extra lines and our daughter for looking in on the cat.
We’ve planned for every contingency Nature allows beyond
the punch it can throw in our faces and my imagination
of the worst, how it comes out of the sky and settles on a wing.
MICHAEL SALCMAN: former neurosurgery chairman, University of Maryland and president of Baltimore's Contemporary Museum, a child of the Holocaust and a survivor of polio. Author of six medical books, seven poetry books and 200 scientific papers. Poems in Barrow Street, Blue Unicorn, Harvard Review, Hopkins Review, Hudson Review, New Letters, Notre Dame Review, Raritan and Smartish Pace. Books include The Clock Made of Confetti (nominee The Poets' Prize), The Enemy of Good is Better, Poetry in Medicine: classic and contemporary poems on medicine, A Prague Spring (Sinclair Poetry Prize winner), Shades & Graces (winner Daniel Hoffman Legacy Book Prize), Necessary Speech: New & Selected Poems and Crossing the Tape (2024).