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ISSUE V

Sara Iacovelli

alaskan break up song

up here, we don’t say spring— we say

the break-up. 

season of cracks in ice.

january, you could drive a semi-truck

on the river. 

april, your own body

too heavy 

to hold. 

last day

before spring              break, 

I helped a child 

pull snow pants on for recess,

helped him fix the backwards E

in his name. 

asked, when he screamed

at circle time, 

do you need to take

a break? 

   spring break is neither spring

nor break-up. 

only when the days  

                     get          longer.

second week of march.

   then third.

fourth.

 this year, spring 

break 

outlasting school year. 

last day I held 

a hand half the size of mine, 

our city was frozen.

today, 

it’s breaking up          again. 

snow melting, 

streets flooding, 

avalanches warning 

again. 

river arage, pacing, 

packing

winter’s bags, 

shouting don’t come back

out the door. 

season of self

-isolation.

lose count

of the days. we don’t say

spring— we say 

mud season. 

single

set of footsteps 

trudging 

through.

EDITORIAL PRAISE

What struck me most about “alaskan break-up song” was its form and enjambment. Visually, it evokes a broken ice floe on the page, words and phrases drifting from one another, itself a “break up.” The line breaks in this poem created an anticipation and anxiety for me as a reader—all I could think about was loss and distance. “I helped a child / pull snow pants on for recess [. . . ]” Tenderness and precarity. “Season of self / -isolation.” Acceptance and rejection. The line break is the precipice of possibility, and this poet wields it with confidence and clarity.

Sara Iacovelli is a poet and a preschool teacher. She has gone to grad school too many times, though never for writing; she holds degrees in comparative literature and special education. She lives in the northern catskills with her partner, her very large dog, and her very soft cat. Her work has appeared or is forthcoming in Pine Hills Review, *82 Review, Prairie Home Magazine, Barren Magazine, and Eunoia Review.

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